Julia Lanchester, daughter of a celebrity ornithologist, at last moves out of the family home at the age of thirty-eight to manage the Tourist Information Center in the village of Smeaton-under-Lyme on the Fotheringill estate in Suffolk. In the process, she ruffles more than a few feathers.
The Rhyme of the Magpie (2015)
With her personal life in disarray, Julia Lanchester feels she has no option but to quit her job on her father’s hit BBC Two nature show, A Bird in the Hand. Accepting a tourist management position in Smeaton-under-Lyme, a quaint village in the English countryside, Julia throws herself into her new life, delighting sightseers (and a local member of the gentry) with tales of ancient Romans and pillaging Vikings.
But the past is front and center when her father, Rupert, tracks her down in a moment of desperation. Julia refuses to hear him out; his quick remarriage after her mother’s death was one of the reasons Julia flew the coop. But later she gets a distressed call from her new stepmum: Rupert has gone missing. Julia decides to investigate—she owes him that much, at least—and her father’s new assistant, the infuriatingly dapper Michael Sedgwick, offers to help. Little does the unlikely pair realize that awaiting them is a tightly woven nest of lies and murder.
Empty Nest (2015)
Manager of a tourist center in a quaint British village, Julia Lanchester finds herself with more ideas than time. Her boss is the Earl Fotheringill himself, but apart from him, she doesn’t mix well with the aristocracy. Unfortunately, toxic mold forces her from her cottage and into one of the earl’s countless spare rooms at the Hall. She tries to get a handle on her overload of work, while she finds herself arguing with dinner guests, chaffing at the sudden interest the earl’s son has in running the estate, and missing her new beau, Michael Sedgwick.
Her life goes from bad to sinister when Julia discovers poisoned sparrowhawks on the expansive estate grounds. And soon after, she finds one of the Hall’s visitors murdered—felled by the same poison. While simultaneously both spooked and angry, she still can’t keep herself from snooping, and dragging Michael along into her investigation. But will she find the culprit before her own wings are clipped?
Every Trick in the Rook (2017)
Julia Lanchester is flying high. She’s nesting with her boyfriend, Michael Sedgwick, and she’s found her niche as manager of the tourist center in her picturesque British village. Thanks to all her hard work, visitor traffic was up—way up. Her reward is an even more hectic schedule. Michael’s busy, too, traveling all over as the personal assistant to Julia’s father, celebrity ornithologist Rupert Lanchester. With precious little time together, Julia’s romantic weekend with Michael can’t come soon enough.
But the getaway is spoiled when Julia’s ex-husband is found murdered on her boss’s estate. And after a witness reports seeing Michael near the scene of the crime, the press descends, printing lies and wreaking havoc. To protect Julia, Michael vanishes into thin air, leaving her to pick up the slack on Rupert’s show and track down the real killer—even if it means putting herself in the flight path of a vicious predator.
Farewell, My Cuckoo (2018)
“The cuckoo comes in April and sings its song in May. In June it changes tune and July it flies away.”
Wedding bells are ringing in the small British village of Smeaton-under-Lyme. Julia Lanchester’s second-in-command at the local tourist center is finally getting married, and the lovebirds are giving Julia and her live-in boyfriend, Michael Sedgwick, ideas about their own future. But before anyone can say “Will you,” Michael’s flighty older sister, Pammy, crashes the party, fresh off a breakup and lugging all her worldly possessions around with her in a tangle of plastic bags.
Before long, Julia’s cozy cottage starts feeling more like Pammy’s bachelorette pad. To keep herself from going cuckoo, Julia throws herself into her pet projects at work—until death disrupts her plans. First a body is found on the estate. Then the police discover that Pammy was the last one to see the man alive. And soon Julia gets the feeling that if she ever wants her home—or her boyfriend—back, she’ll have to get to the bottom of this mystery, even if it means breaking a few eggs.